Posted
Apr 2009
Living Outside the Box
Living abroad boosts creativity
Based on the Research of William Maddux And Adam D. Galinsky
Living in another country can be a cherished experience, but new research suggests it might also help expand minds. This research, published by the American Psychological Association, is the first of its kind to look at the link between living abroad and creativity.
“Gaining experience in foreign cultures has long been a classic prescription for artists interested in stimulating their imaginations or honing their crafts. But does living abroad actually make people more creative?” asks the study’s lead author, William Maddux, an assistant professor of organizational behavior at INSEAD and a former visiting assistant professor and post-doctoral fellow at the Kellogg School.
“It’s a longstanding question that we feel we’ve been able to begin answering through this research”
Maddux and Adam Galinsky, the Morris and Alice Kaplan Professor of Ethics and Decision in Management at the Kellogg School, conducted five studies to test the idea that living abroad and creativity are linked. The findings appear in the May issue of the Journal of Personality and Social Psychology, published by the American Psychological Association.
In one study, MBA students at the Kellogg School were asked to solve the Duncker candle problem, a classic test of creative insight. In this problem, individuals are presented with three objects on a table placed next to a cardboard wall: a candle, a pack of matches and a box of tacks. The task is to attach the candle to the wall so that the candle burns properly and does not drip wax on the table or the floor. The correct solution involves using the box of tacks as a candleholder — one should empty the box of tacks and then tack it to the wall placing the candle inside.
“...some sort of psychological transformation ... needs to occur when people are living in a foreign country in order to enhance creativity. This may happen when people work to adapt themselves to a new culture”
The solution is considered a measure of creative insight because it involves the ability to see objects as performing different functions from what is typical (i.e., the box is not just for the tacks but can also be used as a stand). The results showed that the longer students had spent living abroad, the more likely they were to come up with the creative solution.
In another study, also involving Kellogg School students, the researchers used a mock negotiation test involving the sale of a gas station. In this negotiation, a deal based solely on sale price was impossible because the minimum price the seller was willing to accept was higher than the buyer’s maximum. However, because the two parties’ underlying interests were compatible, a deal could be reached only through a creative agreement that satisfied both parties’ interests.
Here again, negotiators with experience living abroad were more likely to reach a deal that demanded creative insight. In both studies, time spent traveling abroad did not matter; only living abroad was related to creativity.
Maddux and Galinsky then ran a follow-up study to see why living abroad was related to creativity. With a group of MBA students at INSEAD in France, they found that the more students had adapted themselves to the foreign cultures when they lived abroad, the more likely they were to solve the Duncker candle task.
“This shows us that there is some sort of psychological transformation that needs to occur when people are living in a foreign country in order to enhance creativity. This may happen when people work to adapt themselves to a new culture,” said Galinsky.
Although these studies show a strong relationship between living abroad and creativity, they do not prove that living abroad and adapting to a new culture actually cause people to be more creative. “We just couldn’t randomly assign people to live abroad while others stay in their own country,” said Maddux.
To help get at this question of what causes someone to be creative, the authors tried a technique called “priming.” In two experiments, they asked groups of undergraduate students at the Sorbonne in Paris to recall and write about a time they had lived abroad or adapted to a new culture; other groups were asked to write about other experiences, such as going to the supermarket, learning a new sport or simply observing but not adapting to a new culture.
The results showed that priming students to mentally recreate their past experiences living abroad or adapting to a new culture caused students, at least temporarily, to be more creative. For example, these students drew space aliens and solved word games more creatively than students primed to recall other experiences.
“This research may have something to say about the increasing impact of globalization on the world, a fact that has been hammered home by the recent financial crisis,” said Maddux. “Knowing that experiences abroad are critical for creative output makes study abroad programs and job assignments in other countries that much more important, especially for people and companies that put a premium on creativity and innovation to stay competitive.”




6 Comments
Apr 24 2009
I think that the development of creativity it’s very important. The union of academic matters and creative make us succesfull in any job, specially in the area of innovation. Bussiness today have changed in many ways, and it is very important to look for creative solutions for dinamic markets.
Apr 29 2009
In true sense living abroad makes us more conscious or alert as the culture, language and everything else are different. We should be ready to learn continuously and consciously. Ultimately we tend to look at things with fresh mind as the thought patterns we developed over time may not help well at this juncture.
May 6 2009
Sincerely, living abroad can increase people’s experience to be creative. And I still think we could pay more attention to research this topic. Globalization needs global minds, with deeper vision and overseas experience.
May 12 2009
There are so many skills a person that decided to move to a different country have to develop consciously or inconsciously to survive in a new Country.
When someone decides to leave everything she or he knows as stability like family, work, home, language, support network, I mean all, how many skills you have to develop to not only survive but excel?
Any person that was able to do this will bring to a company a lot of value.
Jul 3 2009
I think the key word that needs to be used here is empathy. The ability, or skill rather, to understand and perceive how someone of a different culture thinks, acts and reacts is only achieved through the real-life experience of living in a foreign land. It’s akin to truly learning a language only by being completely immersed in that native country. Without being forced to empathize and creatively understand how other people’s actions and reactions are different from your own, one continues to live in a very narrow world. The empathy that expatriates are forced to learn is a very deep and visceral emotion that I think extends and affects the logic portion of someone’s brain.
Ironically, I had Maddux as my Negotiatons professor and have had to consciously remind myself to first think how and what my other colleagues are thinking and then based on that effort, try to understand what it is I am trying to accomplish and how to go about it.
Nov 11 2009
I took my 10 year old son abroad to live for a year. Instead of living with me, he lived in the school where I worked during the week and came home on the weekend. He’s 13 now and he wants to be an international traveler and business person, not to mention he speaks fluent Chinese and know how to read and write. I agree, living abroad does foster a great deal of creativity. My son and I both can maintain around any culture and be content. We have friends from around the world. My greatest advice is learn how to draw. I haven’t graduated from stick figures and never gave it much thought until I found myself in a foreign county needing to express myself beyond the language.